The art of eastern Europe 2000+
collection Moderna Galerija Ljubljana
- Type
- on group show
- Artist
- Natalia LL, Jerzy Bereś, Miklos Erdely, Tibor Hajas, Dalibor Martinis, Zofia Kulik, Przemysław Kwiek, Jan Mlcoch, Józef Robakowski, Petr Stembera, Mladen Stilinović, Raša Todosijević, Endre Tot, Karel Miler, Jiri Valoch, Milan Knízák, Tomislav Gotovac, Oho, Katarzina Kozyra, subREAL, Apolonija Šušteršič, Nedko Solakov, Paul Neagu, Marjetica Potrč, Oleg Kulik, Dmitry Gutov, Miroslaw Balka, Irwin, Komar/Melamid, Stanisław Dróżdż, Stano Filko, Gorgona, Julije Knifer, Ivan Kožarić, Róza El-hassan, Sanja Iveković, Dan Perjovschi, Amalia Perjovschi, KwieKulik, Alex Mlynarcik, Mangelos, Vadim Fishkin, Yuri Leiderman, Ion Grigorescu, Oliver Musovik, Adrian Paci, Ilija Soskic, Slaven Tolj, Anatoly Osmolovsky, Milica Tomic, Joze Barsi, Geta Bratescu, Carlfriedrich Claus, Nusa & Sreco Dragan, Jusuf Hadzifejkovic, Jaroslaw Koziowski, Vladimir Kupriyanov, Laibach, Kasimir Malewitsch, Andrej Monastirskij, NOVI Kolektivizem, Marko Peljhan, Tadej Pogacar & P.A.R.A.S.I.T.E., Dmitrij Prigov, Arsen Savadov & Jurij Sencenko, Gledalisce Scipion Nasice, Milos Sejn, Nebojsa Seric-Shoba, Konstantin Zvezdocetov, Vuk Cosic, Aleksandr Roitburd
- Publisher
- Folio Verlag, Vienna, 2021
- Venue
- Orangerie Congress, Innsbruck
- Code
- SE/EUR-KUN-5
- Details
- 248 pages, English
See also
Franz West, Otto Zitko
Franz West, Otto Zitko
Conflicting Tales: Subjectivity – Burger Collection – Quadrilogy, Part 1
Conflicting Tales: Subjectivity – Burger Collection – Quadrilogy, Part 1
Conflicting Tales: Subjectivity – Burger Collection – Quadrilogy, Part 1
Die Verwandlung – 25 Jahre russische Künstlerbücher 1989 – 2013
Die Verwandlung – 25 Jahre russische Künstlerbücher 1989 – 2013
Die Verwandlung – 25 Jahre russische Künstlerbücher 1989 – 2013
Behind the facts. Interfunktionen 1968 – 1975
Behind the facts. Interfunktionen 1968 – 1975
Behind the facts. Interfunktionen 1968 – 1975
Decollecting
Decollecting
Busan Biennale 2002
Busan Biennale 2002
Busan Biennale 2002