Feminist Futures of Spatial Practice – Materialism, Activism, Dialogues, Pedagogies, Projections
- Titel
- Feminist Futures of Spatial Practice – Materialism, Activism, Dialogues, Pedagogies, Projections
- Type
- on subject
- Auteur
- Petra Bauer, Yvonne P. Doderer, Elke Krasny, Doina Petrescu, Helena Mattsson, Katarina Bonnevier, Liza Fior, Mariana Alves Silva, Jenny Andreasson, Nishat Awan, Karin Bradley, Sara Brolund de Carvalho, Brady Burroughs, Ragnhild Claesson, Macarena Dusant, Annika Enqvist, Maryam Fanni, Hélène Frichot, Katja Grillner, Ulrika Gunnarsson-Östling, Sophie Handler, Nel Janssens, Thérèse Kristiansson, Anja Linna, Nina Lykke, Ramia Mazé, Irene Molina, Ruth Morrow, Jane da Mosto, MYCKET, Julieanna Preston, Rehearsals, Sofia Wiberg, Marius Dybwad Brandrud, Rebecka Thor, Helen Runting, Nora Räthzel, Meike Schalk, Despina Stratigakos, Kristoffer Svenberg, The New Beauty Council, Kim Trogal, Josefin Wangel
- Editor
- Thérèse Kristiansson, Ramia Mazé, Meike Schalk
- Publisher
- AADR Spurbuchverlag, 2017
- Code
- FEM-MAZ-1
- Details
- 384 pages, 21.0 × 25.0 cm
- ISBN
- 978-3-88778-489-8
Omschrijving
Deepens and broadens how we can understand and engage with different genders, bodies and peoples, diverse voices and forms of expression, alternative norms and ways of living together.
See also
Art in Sweden – Leaving the Empty Cube – Contemporary Swedish Art
Art in Sweden – Leaving the Empty Cube – Contemporary Swedish Art
Art in Sweden – Leaving the Empty Cube – Contemporary Swedish Art
Art of the Eighties and Seventies
Art of the Eighties and Seventies
Art of the Eighties and Seventies
event
13.04.2022
13.04.2022
Thinking of the outside, New art and the city of Bristol
Thinking of the outside, New art and the city of Bristol
Thinking of the outside, New art and the city of Bristol
performance
21–29.03.2009
21–29.03.2009
Artificial Hells – Participatory Art and the Politics of Spectatorship
Artificial Hells – Participatory Art and the Politics of Spectatorship
Artificial Hells – Participatory Art and the Politics of Spectatorship