NODE #2
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Brace For Impact NODE #2 at De School 2018. Photo by Charlott Markus
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Brace For Impact NODE #2 at De School 2018. Photo by Charlott Markus
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Brace For Impact NODE #2 at De School 2018. Photo by Charlott Markus
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Brace For Impact NODE #2 at De School 2018. Photo by Charlott Markus
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Brace For Impact NODE #2 at De School 2018. Photo by Charlott Markus
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Brace For Impact NODE #2 at De School 2018. Photo by Charlott Markus
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Brace For Impact NODE #2 at De School 2018. Photo by Charlott Markus
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Brace For Impact NODE #2 at De School 2018. Photo by Charlott Markus
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Brace For Impact NODE #2 at De School 2018. Photo by Charlott Markus
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Brace For Impact NODE #2 at De School 2018. Photo by Charlott Markus
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Brace For Impact NODE #2 at De School 2018. Photo by Charlott Markus
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Brace For Impact NODE #2 at De School 2018. Photo by Charlott Markus
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Brace For Impact NODE #2 at De School 2018. Photo by Charlott Markus
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Agnieszka Polska, New Sun, HD video, 13 min., 2017 (film still). Courtesy of Żak Branicka Berlin and Overduin & Co., Los Angeles
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Basel Abbas and Ruanne Abou-Rahme, And Yet My Mask Is Powerful (video still), 2016. Courtesy of the artists
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NODE #2 exhibition at De School • 20—28 April during regular club nights ** Agnieszka Polska, Basel Abbas & Ruanne Abou-Rahme
This presentation features recent video based works by Agnieszka Polska and artist duo Basel Abbas & Ruanne Abou-Rahme. Each of the works evokes a political condition of continuous upheaval where technological advancements have very distinct meaning and impact on everyday life. Abbas and Abou-Rahme’s And Yet My Mask Is Powerful Part 1 takes viewers through the point of view of a group of youth walking through a destroyed Palestinian village inside Israeli borders. The protagonists don masks modelled on archeological findings from the West Bank and surrounding areas, as a gesture of recalling close ancestors in a place where contingency reigns and progress is elusive. In Agnieszka Polska’s New Sun, an anthropomorphised star stares directly at the viewer with its large, all- consuming eyes, while indulging in a half-sung monologue. The omnipresent gaze of the affectionate but sometimes delirious sun looks at a very real issue: humanity’s collective apathy amidst states of crisis. Both works delve into layers of memory. While Abbas and Abou-Rahme’s cinematic video employs a human scale and horizontal view within an almost testimonial frame of reference, Polska’s computer-generated media take on an external perspective, considering these issues from a cosmic view.