Fluiten in het Donker – project by the Curatorial Programme 10/11
de Appel, Jongensschool, Eerste Jacob van Campenstraat 59
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Buster Keaton on the set of Samuel Beckett's FILM (1965)
Courtesy of Evergreen Review
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Maze de Boer, "Cornered", 2011. Door, frame, wood, plaster, Courtesy of the artist
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Geert Jan Jansen & René Magritte, "Femme à la lune". India ink on paper, 14.5 x 13cm / "Voyage de deux homes". India ink on paper, 16.5 x 21cm / "Ceci n'est pas une pipe". India ink on paper, 20.5 x 17cm
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Luciana Lamothe, "Gancho (Hook) ", 2011. Iron, rope, Courtesy of the artist
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4."Inflammatory Essays, 1979-1982". Offset posters on coloured paper, 43 x 43 cm, Courtesy of the artist and Galerie Yvon Lambert, Paris
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"Inflammatory Essays, 1979-1982". Offset posters on coloured paper, 43 x 43 cm, Courtesy of the artist and Galerie Yvon Lambert, Paris
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Luciana Lamothe, "Insumos públicos (Public Resource)", 2011. 1600 Watts of tapped electricity, lights, cables, tripods, Courtesy of the artist
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Luciana Lamothe, "Insumos públicos (Public Resource)", 2011. 1600 Watts of tapped electricity, lights, cables, tripods, Courtesy of the artist
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Samuel Beckett, "FILM", 1965. 35mm film transferred to DVD, black and white, sound, 21 minutes, Courtesy of Evergreen Review
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Sara van der Heide, "Hollands Kabinet", 2010 - . 220 watercolours on paper, (number as of May 20, 2011)
18 x 26 cm each, Courtesy of the artist and Galerie Diana Stigter, Amsterdam
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Sara van der Heide, "Hollands Kabinet", 2010 - . 220 watercolours on paper, (number as of May 20, 2011)
18 x 26 cm each, Courtesy of the artist and Galerie Diana Stigter, Amsterdam
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Absalon, "Bataille", 1993. Single-channel video, colour, sound, 0:50 second loop, Courtesy of Galerie Chantal Crousel, Paris
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Luciana Lamothe, "Nightshot", 2011. Digital video, 5 minutes, Courtesy of the artist
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Luciana Lamothe, "Nightshot", 2011. Digital video, 5 minutes, Courtesy of the artist
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Jasper Coppes, "Remainder (Three Fragments)", 2011 (Site-specific Commission). Various materials, Various dimensions, Courtesy of the artist
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Jasper Coppes, "Remainder (Three Fragments)", 2011 (Site-specific Commission). Various materials, Various dimensions, Courtesy of the artist
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11."Performance #9", 2011. Matte white vinyl, letters on blue wall, Various dimensions, 15 minute approximate duration, Courtesy of the artist
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Maze de Boer, "Sound-on-Sound", 2011. Directional microphone, headphones, speakers, ButtKicker (bass subwoofer), cables, Courtesy of the artist
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Maze de Boer, "Sound-on-Sound", 2011. Directional microphone, headphones, speakers, ButtKicker (bass subwoofer), cables, Courtesy of the artist
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León Ferrari, "Heliografías (series) ", 1980-83. Heliographs on paper, Courtesy of Fundación Augusto y León Ferrari
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Monika Sosnowska, "Entrance", 2003. Lights, doors, white emulsion paint, chipboards, Dimensions variable, Courtesy of Juan and Patricia Vergez Collection
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Pierre Bismuth, "Signed anonymous letters to be sent to someone I don't know - To David van Gent, Marie Heinekenplein 711, 1072 MN Amsterdam*", 2011. Collage on paper, 21 x 29.7 cm and marker pen on envelope, 24 x 35 cm
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You whistle – and ask, am I alone in here?
A whistle emanates from the gut, proceeding to circulate beyond the body, as an absent presence that is felt rather than seen. Whistling in the dark — a nonchalant gesture set within an anxious environment; to summon your courage in the face of projected danger.
In the Netherlands, we find ourselves placed at a critical juncture. Much has been said on the rise of nationalist sentiments and populism, the economic down-turn, Islamophobia and an entrenched identity crisis. Yet the mental impact of this social upheaval remains concealed beneath a rationalist impulse.
We seem to be moving from a post-9/11 culture of fear toward an ambit of collective paranoia. As the known grows unfamiliar, allegations and accusations masquerade as reason. Anxieties give way to perpetual vigilance. Unlike fear, paranoia becomes a destructive plot that turns against itself. It remains diffused, conflated and replicated - under the skin.
We talk compulsively to hide uneasy silences, we whistle to posture ourselves whilst facing an all-encompassing darkness – an everyday that is a minefield of paradoxes . Fluiten in het Donker sets out to confront these phantoms of uncertainty, to give bodies to the voices in our heads – a Beckettian struggle - to see the inability to see.
Fluiten in het Donker is an exhibition ‘out of sync.’ Rather than creating a narrative trajectory, de Appel Boys School emerges as a total occupation – disturbed and disturbing. The exhibition explores the materiality of paranoia through art works that draw upon vocabularies of aggression and potentiality - playing upon the suspicions of visitors. Internal struggles are made present by way of labyrinths that disorient and proceed to build an inescapable void. Acts of obsession and sabotage become means of resistance in a time of societal impasse.
Artists
Absalon, Samuel Beckett, Pierre Bismuth, Maze de Boer, Tania Bruguera, Jasper Coppes, León Ferrari, Sara van der Heide, Jenny Holzer, Geert Jan Jansen, Luciana Lamothe, Monika Sosnowska
Curators
de Appel Curatorial Programme 2010/11: Marie Frampier, Natasha Ginwala, Jacob Korczynski, Javier Villa, Rieke Vos, Vivian Ziherl
Events
13 May 2011, 8:30-9:30 PM, DNA Spray Demonstration by SDNA at Trouw/de Verdieping, Wibautstraat 27, Amsterdam, as part of an evening of events on the occasion of Art in Amsterdam (Entry: 7.50 Euro)
14 May 2011, 5-8 PM, Prelude - Fluiten in het Donker at de Appel Boys’ School
5 June 2011, 2-4 PM: 'Expert' Guided Tour
18 June 2011: In Conversation with Geert Jan Jansen. (To be Confirmed)
19 June 2011, 4 - 6 PM: Neighbourhood Programme.
26 June 2011, 12-2 PM: Sunday School with Femke Diercks (Curator, Rijksmuseum)
26 June 2011, 6-8 PM: Book Launch.
(More information about these events will be announced on the website and on Facebook)
Exhibition Publication
Title: Fluiten in het Donker
Curators/Editors: Marie Frampier, Natasha Ginwala, Jacob Korczynski, Javier Villa, Rieke Vos, Vivian Ziherl.
Pages: 146
Words: 13,500
Edition: 500
Fomat: Black and white, with color plates.
Design: Stephen Serrato
Price: €7
To buy our exhibition publication.
For press enquiries please contact: Natasha Ginwala (nginwala [at] gmail.com) or Rieke Vos (riekevos [at] gmail.com)/ Become friends with ‘Fluiten-in het Donker’ on Facebook
The project Fluiten in het Donker by de Appel Curatorial Programme 2010/2011, is supported by SKOR| Foundation for Art and Public Domain in the framework of the institutional alliance between SKOR and de Appel. Made possible with the generous support of the Amsterdam Fund for the Arts (AFK).