The Gallerist Programme

Art-e-conomy – theoretical reader

Bedrijfscollecties in Nederland – Corporate collections in the Netherlands

Owning Art – The Contemporary Art Collector's Handbook

The Art Business

How to Start and Run a Commercial Art Gallery

International Art Galleries – Post-War to Post-Millennium – A Narrative Chronology of the Dealers, Artists and Spaces that have Defined Modern Art

Spaces of Experience – Art Gallery Interiors from 1800 to 2000

Han Nefkens – 10 jaar mecenas

My Name is Charles Saatchi and I Am an Artoholic

Seven Days in the Art World

cmagazine Issue 112 – EXHIBITION PRACTICES

Pizzini – Sentences

Verslag symposium Vereniging Bedrijfscollecties Nederland

Bedrijfscollecties in Nederland

Die Kunst Des Sammelns: The Art of Collecting Von Deutscher Art Und Kunst Einige Fliegende Blatter

Proof of Principle

Groovy Bob – The Life and Times of Robert Fraser

Art Dealer's Field Guide – How to Profit in Art, Buying and Selling Valuable Paintings

High Price – Art Between the Market and Celebrity Culture

Talking Prices – Symbolic Meanings of Prices on the Market for Contemporary Art

Contemporary Art and Its Commercial Markets – A Report on Current Conditions and Future Scenarios

The Global Art World – Audiences, Markets, and Museums

The Artist-Gallery Partnership: A Practical Guide to Consigning Art

Understanding International Art Markets And Management

The Lure Of The Object

A New Art from Emerging Markets

Art of the Deal – Contemporary Art in a Global Financial Market

Fine Art and High Finance – Expert Advice on the Economics of Ownership

Imaginary Economics – contemporary artists and the world of big money

Leo And His Circle – The Life of Leo Castelli

Art for Sale – A Candid View of the Art Market

Duveen – The Story of the Most Spectacular Art Dealer of All Time

Collecting Contemporary Art

Duveen – A Life in Art

Starting up a Gallery and Frame Shop

The Girl with the Gallery

The Contingent Object of Contemporary Art

The Critical Mass of Mediation

Wesley Meuris – F.E.A.K. – Foundation for Exhibiting Art and Knowledge

Remix – Making Art and Commerce Thrive in the Hybrid Economy

Tales from the Art Crypt – The painters, the museums, the curators, the collectors, the auctions, the art

The International Art Markets – The Essential Guide for Collectors and Investors

Supercollector – A Critique of Charles Saatchi – Third Edition

From Manet to Manhattan – the rise of the modern art market

High Art Lite – British Art in the 1990s

Positioning the Art Gallery

Commissioning Contemporary Art – A Handbook for Curators, Collectors and Artists

cmagazine Issue 114 – Men

cmagazine Issue 115 – Participation

cmagazine Issue 117 – Translation

Archetypes and Historicity – Paintings and Other Radical Forms 1995-2007

Women Gallerists in the 20th and 21st Centuries

You Are Cordially Invited – The Art Fair #1 Spring/Summer 2013 Issue

Kunstlicht 1/2 – De publieke markt

Kunstlicht 1/2 – De publieke markt

Dear Images – Art, Copyright and Culture

The Trials of Art

Gallery as Community: Art, Education, Politics

The Art Dealers – The Powers Behind the Scene Tell How the Art World Works

cmagazine Issue 118 – Criticism

cmagazine Issue 119 – Residencies

cmagazine Issue 120 / 30 years – Surveillance

The Art Firm – Aesthetic Management and Metaphysical Marketing From Wagner to Wilson

TALKING GALLERIES – The International Symposium for Gallerists

Okey dokey – Konrad Fischer

Art Production Beyond the Art Market?

Colin De Land -American Fine Arts

Reversibility – A Theater of De-Creation

Fairland – Explorations, Insights and Outlooks on the Future of Art Fairs