"Adorno: Die Möglichkeit des Unmöglichen" The Possibility of the Impossible (Vol. II)
- Title
- "Adorno: Die Möglichkeit des Unmöglichen" The Possibility of the Impossible (Vol. II)
- Type
- on group show
- Author
- Isabelle Graw, Georg Schöllhammer
- Artist
- Bruce Nauman, Henrik Plenge Jakobsen, Louise Lawler, Maria Eichhorn, Jonathan Monk, Martin Boyce, Thomas Demand, Lawrence Weiner, Stephen Prina, Christopher Williams, Isa Genzken, Andreas Slominski, Peter Friedl, Liam Gillick, Sarah Morris, Markus Schinwald, Samuel Beckett, Gerhard Richter, Martin Creed, André Cadere, Art & Language, Carl Andre, Jason Dodge, Cerith Wyn Evans, John Massey, Florian Pumhösl, Euan Macdonald, Kirsten Pieroth, Mathias Poledna, Ad Reinhardt
- Editor
- Vanessa Joan Müller, Michael Hirsch, Nicolaus Schafhausen
- Publisher
- Sternberg Press, 2004
- Venue
- Frankfurter Kunstverein, Frankfurt am Main
- Code
- DE-FRAN-KV-6
- Details
- 180 pages, 13.0 × 21.0 cm, German
English
book hardcover - ISBN
- 978-0-9726806-3-9
Description
Volume II documents the exhibition which looks at the connection between contemporary art and Adorno’s writings.
See also
A Realist Theory of Science
A Realist Theory of Science
A Realist Theory of Science
Don’t call it Comeback (I’ve been here for years) – Hero Worship in Art and Politics
Don’t call it Comeback (I’ve been here for years) – Hero Worship in Art and Politics
Don’t call it Comeback (I’ve been here for years) – Hero Worship in Art and Politics
Curatorial Dreams – Critics Imagine Exhibitions
Curatorial Dreams – Critics Imagine Exhibitions
A Thousand Machines – A Concise Philosophy of the Machine as Social Movement
A Thousand Machines – A Concise Philosophy of the Machine as Social Movement
A Thousand Machines – A Concise Philosophy of the Machine as Social Movement
Fragments
Fragments
Theorie der Avantgarde – Antworten auf Peter Burgers Bestimmung von Kunst und Bürgelicher Gesellschaft
Theorie der Avantgarde – Antworten auf Peter Burgers Bestimmung von Kunst und Bürgelicher Gesellschaft
Theorie der Avantgarde – Antworten auf Peter Burgers Bestimmung von Kunst und Bürgelicher Gesellschaft