Ursula Mayer – But We Loved Her

Description

Deals with questions of individualism and personal freedom, and how our self-contained natures and emotions link to human self-destruction. Mayer creates a cinematographic setting for the 21er Haus that, beyond the limits of cinematic works, synthesizes objects, sculptures, collages and photos into a tangible frame of reference and action. Mayer propagates an open and unbiased space that underlines, in particular, the coincidental nature of social roles.