Time – Whitechapel Documents of contemporary art series
- Titel
- Time – Whitechapel Documents of contemporary art series
- Type
- on subject
- Auteur
- Jan Verwoert, Boris Groys, Daniel Birnbaum, Gilles Deleuze, Hans Belting, Giorgio Agamben, Mieke Bal, Mark von Schlegell, Brian Dillon, Henri Bergson, Bruno Latour, Elena Filipovic, Jean-Luc Nancy, Yve-Alain Bois, Nancy Spector, Georges Didi-Huberman, Rosalind E. Krauss, Italo Calvino, Geoffrey Batchen, Doreen Massey, Emily Apter, Franco ‘Bifo’ Berardi, Quinn Latimer, Karen Archey, St Augustine, Jorge Luis Borges, Elizabeth Grosz, Rachel Kent, George Kubler, Michel Serres, Michel Siffre, Dōgen Zenji
- Artist
- Marina Abramovic, Douglas Gordon, Hiroshi Sugimoto, Olafur Eliasson, Simon Starling, Paul Chan, On Kawara, Joachim Koester, Sylvia Sleigh, Toril Johannessen, Katie Paterson, Raqs Media Collective, Anthony Gormley, Philippe Parreno, Janet Cardiff, Francis Alÿs, Doug Aitken, Christian Marclay, Tehching Hsieh, Matthew Buckingham, Hito Steyerl, Michael Stevenson, Trevor Paglen, Jeannette Christensen, Agnes Varda, Moyra Davey, Bea Fremderman, Lee Ufan, nova Milne, Time/Bank
- Editor
- Amelia Groom
- Publisher
- MIT Press, Cambridge, Whitechapel Art Gallery, London, 2013
- Code
- THEO-WC-19
- Details
- 240 pages
See also
"Adorno: Die Möglichkeit des Unmöglichen" The Possibility of the Impossible (Vol. I)
"Adorno: Die Möglichkeit des Unmöglichen" The Possibility of the Impossible (Vol. I)
Allan Kaprow – Essays on the Blurring of Art and Life
Expanded Edition
Allan Kaprow – Essays on the Blurring of Art and Life
Expanded Edition
Allan Kaprow – Essays on the Blurring of Art and Life
Expanded Edition
event
17–20.01.2022
17–20.01.2022
Amerigo Marras – Contextual Art 1
Amerigo Marras – Contextual Art 1
A History of the World in 100 Objects
A History of the World in 100 Objects
A History of the World in 100 Objects
After the Act. The (Re)Presentation of Performanceart
Reihe theorie 03
After the Act. The (Re)Presentation of Performanceart
Reihe theorie 03
After the Act. The (Re)Presentation of Performanceart
Reihe theorie 03